‘Seats of Power’. A Series of Images by Erin Riley. Opening Reception: Friday June 4th 2010. 6pm-9pm. Exhibition Date: June 2nd – July 1st

Seats of Power, is a collection of portraits of the chairs upon which sit political, business, cultural and spiritual and media icons in Canada from the grassroots, municipal and provincial levels of engagement.

www.fotographer.ca

Contact Feature Show. ‘USER’ Images by Tony Fouhse. Opening Reception Friday May 7th 2010. Exhibition Date: May 3rd – May 31st

Tony Fouhse: USER, Portraits of Crack Addicts

Since 2007, Ottawa photographer Tony Fouhse has been collaborating with, and photographing, a group of crack addicts. He has been obsessed with documenting the feel and the face of this small society.

This is the first time these controversial photographs, featured in The New York Times, Newsweek (Japan), Loungelife (Australia) and Blend (Holland), will be exhibited in Toronto.

USER

There’s a corner in Ottawa where anarchy reigns.

The people who inhabit that corner aren’t terrorists.  They don’t blow  stuff up nor do they want to overthrow any system or government.  Mostly  they just want to be left alone to fight their pain. Their weapon of choice is crack cocaine; the battleground is their bodies and their spirit.  Crack addicts.  Since 2007 I’ve been going to this corner over and over again, obsessed. Obsessed with documenting the feel and the face of this small society.  I work with a camera and the cooperation and acceptance of the addicts I’m photographing.  They know me, I know them.  We have an understanding.  The work I’m doing there feels like collaboration.  Some have said I’m collaborating with the enemy. They say that the addicts on that corner should be swept away. Of course, where they’ll go, how they’ll be treated is left unsaid.  Addiction has always been with us, always will be. Lip service and knee-jerks count for nothing.

I don’t go down to that corner to fight for or against the addicts, I’m not there to judge.  I’m there as an observer, one who has a point of view and the means to express that point of view.  The casual passerby will see ugliness and conflict and degradation on that corner. Those all exist there, as they do on other corners, in other places.But there are other emotions and dynamics to be seen there, too.  I see community and fellowship, I  see street mothers looking after the young women.  I see one kind of pain being replaced with another kind of pain, one that is somehow - we can’t even begin to imagine - more acceptable to the addict. I see creativity, friendship and humanity.  I see humans.

USER is an ongoing, open-ended project.  My first year of shooting there was all done at dusk and in the dark. These images are an approximation (I call them “based on reality”) of some of the dynamic I observed.  I would work with the subjects to set up and photograph small situations that reflected the look and feel of the nighttime corner.

The following year (2008) I became more interested in the face of the addicts.  This work, titled: “USER: Women”, is a series of large format, close-up photographs of some of the women crack addicts that congregate on the corner.  These images are much more confrontational and stripped down than my previous work there.  They show the face, rather than the feel, of that corner. The women look into the lens and allow you, the viewer, to look straight back at them, to look into their eyes and make up your own mind.

Then, in 2009, I photographed the men of the corner, USER Men. These images were shot in heavy backlight, rendering the subjects almost as ghosts.  The men, posed in expressive postures, show, through their bodies, their skin and their expressions, another aspect of life on the corner of Cumberland and Murray Streets. Of life as a crack addict. Of what being human can feel like.

Tony Fouhse

October 2009